The outline and, Roman numeral by the border of time piece, was shaded darkly for added depth. The clock’s parts are in full display, seated on a bed of black as background. The machine parts are layered, customized, and highly texturized. The metal texture of the chain and wheels look very real and feels like the creation will have a metal feel once touched.

This is very impressive in terms of composition, technique and style. This has the scientific-fiction genre with robotic element and alien creature feel like the Transformers like a portion of the body can be replaced by mechanical pieces to enhance it in terms of usage and strength.

A skin modification which you can be proud of because it’s one of a kind, customized on your skin and the placement of the tattoo. It is never easy to create a three-dimension arch on a three-dimensional surface, resulting into a complex multi-layered wheel, strapped and interconnected but definitely analogue and unwired.

The arm morphing into its original cyborg self. He was not a human to begin with. The shoulder action looks really dark and creepy but warm and inviting at the same time. Gore is eliminated since there is no blood on the torn flesh, in place is an arm of a robot in metal silver gray casing with metal wires in the insides and some bolts.

The application of light on this piece is smart making the tattoo glisten to make it more realistic. The solid, matte black shading on the inside adds depth, giving dimension to the first layer of metal cables.

A biomechanical tattoo is anything man-made with mechanical and industrial feel to it, marrying it with the organic parts of the human. This black and gray piece is totally amazing, creepy and cold, and absolutely one of a kind.

The skull on his knee gives it the horror alien on this piece. This is skillfully executed by the artist with regards to the shading, contouring and blending for contrast and depth. The skull details, front and back, provides the layers of dimension needed for a biomechanical perspective.