When there are two definitive truths here on earth which are time and life, beginning and end. If you have the two symbolic objects for such powerful occurrences in life tattooed on your skin, this is huge. Then you get lucky and the tattoo turns out to be absolutely stunning. A timepiece drawn on a different perspective to maximize three-dimension effect plus the skull underneath with its gaping holes revealing the mechanical pieces inside.

This biomechanical tattoo of cogs and gears with the clock at its face is transporting us to a metal world where humans are extinct. It can be a tribute or a memorial because of the date and time this piece reveals, whatever it is or not, this ink art is worth a second look.

The anatomy of the machine is intricately detailed that even the artist who sourced out the sketch had a hard time figuring out execution. There are layers of mechanical bits and pieces, all screaming to be turned into a multi-dimensional object for aesthetic appeal, and to ensure that they look organically blended with the structure of the new arm.

There are artists who take a more subtle route when it comes to composition and color for their biomechanical pieces. Like in this piece, subtle in color but not in content because it is a bomb. That is explosive, and massive. The colors blend well with the skin tone of the wearer, and the rest of the accent pieces, like the wire in hints of green yellow and blue.

It is exceptionally illustrated with more details that the eyes can even think of creating, layers and layers of metal, with black as the background for depth, then the metals are softly shaded, contoured softly, plus there are no visible harsh lines for this piece. There’s a long, sweeping repeating organic patterns of gears, pipes and wires, an environment created by the artist altering musculature and human form.